Austrian lighting manufacturer Lightbridge has released the C-100 Grid System, allowing cinematographers to create expansive arrays of their CRLS (Cine Reflect Lighting System) reflectors. The system emerges from extended production testing by cinematographer Manuel Billeter, ASC, addressing the practical challenges of scaling indirect lighting for larger sets.

Production-tested development by Manuel Billeter, ASC

The CRLS platform, originally conceived by cinematographer Christian Berger, has gained traction in recent years as productions increasingly move away from traditional direct lighting approaches. The new Grid System extends the capabilities of the standard 100x100cm Precision Reflectors by introducing a modular mounting solution that interfaces with standard grip equipment.

Technical implementation of the Lightbridge C-100 Grid system

“I have been fascinated by the idea behind CRLS for over a decade now, and working with the system on set has only deepened my enthusiasm,” explains Billeter, who collaborated with Lightbridge throughout the development process. “The Grid System is versatile and provides for beautiful precision controlled soft lighting on a very large scale.”

The technical foundation of the system centers on purpose-built Grid Clamp Adapters. Each adapter combines a screw-on coupler baseplate with a dedicated truss clamp, designed to integrate seamlessly with industry-standard scaffolding tubes and grip hardware. The mounting system allows crews to construct various configurations, from simple linear arrangements to extensive rectangular arrays.

System configuration options

For basic setups, the system can create a 200x200cm/ 6.56×6.56ft reflective surface in “Quad mode” using four panels. More complex arrangements are possible through the modular design, with Lightbridge recommending three-point mounting for safety when working with crane-mounted configurations. This approach aims to provide rigidity while maintaining the quick deployment CRLS users have come to expect.

Reflector surface options

The system works with all five grades of CRLS Precision Reflectors, each offering distinct characteristics for different lighting scenarios. The range includes:

• Diff 0 Mirror: Maximum reflection for situations requiring intense indirect light
• Diff 1 Punch Black: Focused but slightly softened output
• Diff 2 Blue Sky: Balanced diffusion mimicking natural skylight
• Diff 3 Ambient Violet: Enhanced spread for broader coverage
• Diff 4 Super White: Maximum diffusion for ultra-soft light

Larger LED lights, bigger reflectors?

These aluminum-coated reflectors feature wrinkle-free surfaces that eliminate the need for additional diffusion frames or flags, a characteristic that has contributed to their adoption in high-end productions. The Grid System maintains this spill-free approach while allowing significantly larger coverage areas.

The release comes as the industry continues to evolve its approach to set lighting. While LED arrays have dominated recent lighting innovations, the CRLS Grid System suggests ongoing demand for refined indirect lighting tools. The system’s focus on modularity and integration with existing grip equipment can appeal to productions and rental houses already invested in the CRLS ecosystem.

C-100 Grid System – technical considerations

Notably absent from the announcement are specific details about weight limitations or wind resistance ratings – crucial information for grip departments planning overhead rigging. However, Lightbridge has launched a dedicated website offering technical documentation and tutorial content.

Founded by gaffer Jakob Ballinger, Lightbridge has maintained a steady pace of development in the indirect lighting space. Check out our other coverage of Lightbridge products in the past.

The company indicates that additional Grid System configurations are under development, suggesting potential expansion beyond the current 100cm/ 3.28ft form factor. For cinematographers already working with CRLS, the Grid System offers a standardized approach to scaling their existing lighting toolkit, which is particularly relevant for productions requiring extensive indirect lighting setups.

Have you worked with reflectors on your sets? What is your impression? Let us know in the comments below.

Founded in 2008 by cinematographer Stefan Karle, DoPchoice specializes in creating innovative light-shaping tools tailored for professional film crews. Headquartered in Munich, Germany, the company focuses on developing compact, lightweight, and user-friendly solutions that streamline lighting setups both on location and in studios. Their product lineup includes softboxes, grids, and now the Spill Killer, designed to give filmmakers more control over their lighting environments.

We recently covered the DoPchoice AIRGLOW FLOAT, an inflatable round toplight modifier that adds flexibility to on-set lighting setups (read more here). Now, the company is back with another innovative tool to improve lighting control.

Addressing light spill challenges

Light spill is a common issue on set, especially when working with large diffusion frames. Butterfly and frost frames often allow stray light to leak from the edges, creating unwanted shadows and reducing control over the lighting setup. Traditional solutions, such as using flags or makeshift fabric ties, can be cumbersome, time-consuming, and often fail to provide a seamless seal. The Spill Killer offers a fast, effective, and professional solution to this problem.

Key features

The Spill Killer features a reversible black-and-white design, allowing users to choose between blocking unwanted spill or softening light bounce. Its magnet-based attachment system ensures a secure, tool-free setup without the need for clamps, ties, or adhesives. When not in use, it folds down into a compact pouch, making it easy to transport and store.

• Available Sizes: 4x4ft/ 1.2m, 6x6ft/ 1.8m, 8x8ft/ 2.4m, and 12x12ft/ 3.65m, (20x20ft/ 6x6m version coming soon)
• Reversible Design
• Magnet-Based Attachment
• Compact Storage

Spill Killer – overview

The Spill Killer has two L-shaped covers that attach to a butterfly or frost frame. They seal the edges to prevent light leaks. This design removes shadows caused by fabric ties, bungee cords, or frame structures. It ensures a clean diffusion setup without distractions.

Each Spill Killer is reversible, with a black side to block light and a white side for softer light control. This flexibility helps gaffers and cinematographers quickly adjust their lighting setups for different scene requirements.

The attachment system features integrated magnets sewn into the fabric, ensuring a secure grip without damaging diffusion, bounce, or flag materials. Unlike traditional methods involving clamps or adhesive solutions, the Spill Killer attaches effortlessly and leaves no marks or residue.

For ease of transport and storage, the Spill Killer folds neatly into its included pouch, making it a practical addition to any lighting kit. Setup and removal take only moments, enhancing efficiency on fast-paced film sets.

Price and availability

For pricing and availability, check with authorized DoPchoice retailers or visit their website for more details.

Do you think this will solve your light spill issues? Let us know in the comments how you handle unwanted spill on set!

With IP65-rated durability, wide color temperature range, and high-speed flicker-free performance, they are designed to meet the demands of film, television, and commercial productions, whether on a controlled soundstage or in unpredictable outdoor environments.

Seems like you’ve seen these before, right? It’s not déjà vu. These are the updated PRO versions of the original Godox KNOWLED P600R & P1200R. We covered their launch last year. If you’re curious how they compare, check out the previous announcement.

We also brought you news of the P1200R Hard PRO from IBC 2024 back in September of last year. If you want a deeper dive, have a look at that article here.

High-output hard light

The KNOWLED P1200R Hard PRO is a 2×1 panel with 1300W of power, making it one of the brightest LED panels in Godox’s lineup. With its hard light output, it provides sharp, high-intensity illumination, useful for large-scale productions, high-key setups, and high-contrast cinematography.

Godox KNOWLED P1200R Hard PRO key features:

• Power Output: 1300W
• Color Temperature Range: 1800K to 10,000K
• Green-Magenta Adjustment: -100% to 100%
• Color Rendering Index (CRI): ≥96
• Television Lighting Consistency Index (TLCI): ≥98
• Dimming Range: 0% to 100%
• Dimming Curves: Linear, S-curve, Exponential, Logarithmic
• FX Modes: 14 built-in effects
• Control Methods: DMX512, RDM, LumenRadio CRMX, Bluetooth app, Onboard controls
• Weather Resistance: IP65-rated for dust and water protection
• USB-A Port: Firmware updates, 5V⎓1.5A power supply
• Operating Temperature Range: -20°C to 45°C
• Dimensions (without U-bracket): 29.25″ × 15.2″ × 6.54″
• Net Weight (without U-bracket): 22kg (~48.5 lbs)

The KNOWLED P600R Hard PRO is a 1×1 panel with 600W of power, offering a more compact form factor while still delivering substantial output. Its size and versatility make it a strong key or fill light for both studio work and location shoots.

Godox KNOWLED P600R Hard PRO key features:

• Power Output: 600W
• Color Temperature Range: 1800K to 10,000K
• Green-Magenta Adjustment: -100% to 100%
• Color Rendering Index (CRI): ≥96
• Television Lighting Consistency Index (TLCI): ≥96
• Dimming Range: 0% to 100%
• Dimming Curves: Linear, S-curve, Exponential, Logarithmic
• FX Modes: 14 built-in effects
• Control Methods: DMX512, RDM, LumenRadio CRMX, Bluetooth app, Onboard controls
• Weather Resistance: IP65-rated for dust and water protection
• USB-A Port: Firmware updates, 5V⎓1.5A power supply
• Operating Temperature Range: -20°C to 45°C
• Dimensions (including yoke): 496mm × 570mm × 119mm (~19.53″ × 22.44″ × 4.69″)

The KNOWLED P600R Hard PRO offers a more compact 1×1 form factor with 600W of power, making it versatile for both studio work and location shoots. Despite its smaller size, the P600R Hard PRO delivers impressive output, making it a strong key or fill light in different production setups.

Built to handle harsh environments

Filmmaking often means dealing with unpredictable conditions; not all lighting gear is designed to withstand the elements. The KNOWLED P1200R and P600R Hard PRO panels feature an IP65 rating, meaning they are fully protected from dust and water jets.

Rain on an outdoor set? No problem. Kicking up dust during a shoot? According to the company, these panels can handle it. Productions working in uncontrolled environments might not have to worry about their lights getting ruined by sudden weather changes.

This durability eliminates the need for makeshift protection measures like plastic bags, DIY covers, or last-minute tent setups—letting crews focus on the work rather than scrambling to shield their gear.

Full-color spectrum and high-precision color accuracy

Both models support a color temperature range from 1800K to 10,000K, making them adaptable to different lighting scenarios—from warm tungsten to cool daylight.

The CRI and TLCI ratings (96+ across the board) ensure that colors remain consistent and true-to-life, reducing post-production corrections. Adjustable green-magenta shift allows for fine-tuned control, making it easy to match other light sources on set.

Multiple control options

Godox includes multiple ways to control these lights, making them adaptable to different workflows:

• DMX512 & RDM Protocol – For integration with professional lighting consoles
• LumenRadio CRMX – Wireless DMX control, eliminating the need for additional transmitters
• Bluetooth App Control – Adjust settings remotely via the Godox Light app
• Onboard Controls – Intuitive physical controls for quick adjustments on the fly

Whether working with a large lighting team using DMX or a smaller crew making adjustments via mobile app, these options provide flexibility and ease of use.

Flicker-free performance for high-speed shoots

Shooting at high frame rates requires consistent, flicker-free lighting, which can be a challenge with some LED fixtures.

The KNOWLED P1200R Hard PRO features a high-speed mode, ensuring that output remains stable even at extreme frame rates. The P600R Hard PRO also provides flicker-free performance, making both lights reliable choices for slow-motion cinematography.

Practical applications

These lights can be used across a range of professional productions, including:

• Feature Films & Commercials: Hard, high-output light with full RGB control
• Outdoor Shoots: IP65 protection against rain, dust, and extreme conditions
• Studio Work: Precision color tuning and wireless control for seamless setups
• Virtual Production & LED Walls: High CRI and flicker-free performance

Their claimed combination of power and durability makes them enticing for any production environment where reliable, high-output lighting is a priority.

Both lights are available now through authorized retailers. The KNOWLED P1200R Hard PRO is available for $5,290, while the KNOWLED P600R Hard PRO comes in at $2,349 / €3,292.02.

For more information about the KNOWLED P1200R Hard PRO and P600R Hard PRO, visit the official Godox product page.

Would you use the Godox KNOWLED P1200R Hard PRO or P600R Hard PRO on your productions? What do you think of these lights? Leave a comment below!

CineD has been following DoPchoice products for a while, like the SNAPBAG AIRGLOW BOOKLIGHT, which launched in 2024 and won the CineD Best-of-Show Award for lighting at NAB that year, and in cooperation with Lightbridge SNAPBRIDGE, introduced in 2023 and later expanded with new sizes and fabrics. Now, they’ve added the AIRGLOW FLOAT to their lineup.

Inflatable setup with adjustable spill control

The AIRGLOW FLOAT comes in 4-ft, 8-ft, and 12-ft diameters. It uses two inflatable rings to support a cylindrical side cover, forming a contained softbox. A removable SNAPCLOTH diffusion reduces light intensity, while a reversible black-white skirt provides additional control. A three-point ceiling mount system should make overhead positioning easy.

Designed for use with LED panels and COB lights, the AIRGLOW FLOAT’s up-facing back wall adjusts to fit different light sources (for example, cylindrical tiles or tubes using hook and loop attachments) and can be partially opened or closed to control any top spill. Its height, adjustable from 150mm to 300mm by angling the rings, enables greater top-mounted diffusion.

Customizable with fabrics and effects

The AIRGLOW FLOAT offers flexible lighting configurations and can be set up for a booklight effect, for example, or a large bounce, depending on the setup. Different bounce fabrics, including Hard Silver and Muslin, offer varied light intensity and softness.

For an entirely different effect, lighting units (for example, cylindrical tiles or tubes using hook and loop attachments) can also be mounted inside – specifically, flexible LEDs such as LiteMat and LiteTile can be lined along the inner wall to direct soft, even light downward. Adjusting the rings into a wedge shape further refines the beam angle.

Flexibility and ease of use

The AIRGLOW FLOAT offers many possibilities with various lighting configurations. Plus, it inflates quickly and can be used for toplight, backlight, or bounce applications. Its tiltable depth adjustment should help ensure even light spread, and when deflated, it packs down small for easy transport—less of a hassle compared to traditional lighting modifiers.

Price and availability

For pricing and availability, check with authorized DoPchoice retailers or visit their website for more details.

Would you find an inflatable lighting modifier useful in your workflow, or do you prefer more traditional setups? What are your go-to solutions for controlling toplight in your shoots? Let us know in the comments!

Given the technical specifications of the NANLUX Evoke 5000B, it is positioned directly in competition with traditional high-power movie lights.

Technical specs and light output

NANLUX states the output approaches that of a 9kW HMI or 24kW tungsten light, supported by their newly developed Nebula B4 Light Engine. This proprietary system combines four types of white light chips to deliver a color temperature range of 2700K-6500K with ±80 Green/Magenta adjustment – a feature set previously unavailable in LED fixtures of this power class.

Color accuracy specifications include CRI/TLCI values of 97/98 and TM-30 Rf/Rg averages of 96/102. The unit maintains these values across its dimming range, which extends down to 0.1% brightness. A notable addition is the High-Speed Mode, which switches from PWM to DC operation for flicker-free performance at frame rates exceeding 10,000fps.

Design and construction

The fixture’s physical design reflects current production requirements, with an all-in-one housing that integrates the power supply and control unit. Built from magnesium alloy, the complete unit with yoke weighs 46kg (101lb). While substantial, this represents a significant reduction in both weight and logistics compared to equivalent traditional lighting setups requiring separate ballasts and power distribution.

Control systems and operation

For practical operation, NANLUX has implemented multiple control options. The fixture features a 4.3-inch display screen with three control knobs and four buttons for direct operation. Remote control options include DMX/RDM, Art-Net/sACN, and LumenRadio CRMX wireless DMX. A new wired controller is included with the fixture.

The cooling system employs multiple operational modes including Smart, Full Speed, Low Speed, Off, and Pause. In Smart mode, which automatically adjusts fan speed based on temperature, the noise level is rated at 44 dB(A) – a consideration for sound recording on set.

Accessories and compatibility

NANLUX has maintained compatibility with their existing NL mount accessory ecosystem, allowing the Evoke 5000B to use most accessories designed for their 2400B model. New accessories specific to the Evoke 5000B include a 45cm motorized Fresnel lens offering a 16°-50° zoom range, with a maximum output of 47,970 lux at 16°. The motorized yoke provides 540° horizontal rotation and 270° vertical movement, with both accessories controllable via the fixture’s various control protocols.

Weather resistance and durability

The IP66 rating suggests potential for reliable operation in adverse weather conditions, though real-world testing in various production environments will be necessary to verify these capabilities. The fixture includes features like balance-adjusting rails, a disc brake system in the yoke, and a protective skid base for transport and stacking.

Pricing and availability

Pricing has been set at $14,800 for the standard package and $15,500 together with a flight case. The FL-45E Fresnel lens attachment is available separately at $2,580 (excluding local taxes). The Evoke 5000B will begin shipping in March 2025.

Industry impact and future implications

The timing of this release coincides with increasing industry focus on energy efficiency and sustainable production practices. While LED technology has been widely adopted for lower-power lighting requirements, the high-power segment has remained largely dependent on traditional light sources. The practical performance of the Evoke 5000B in production environments will be a key factor in determining whether it can serve as a viable alternative to established HMI and tungsten fixtures in this power class.

The Evoke 5000B will be on display at BSC Expo in London (booths #109 and #210), where cinematographers and lighting professionals can evaluate its performance firsthand.

What do you think about this new offering from NANLUX? Is it a fixture you have been waiting to work with on bigger sets? Please share your thoughts in the comment section below.

Aputure has been developing the Sidus Link app for years. We first covered a major update in 2020, and with the release of Sidus Link Pro beta v1.3, the company continues to enhance control and functionality for filmmakers.

For someone like me, who often works as a solo shooter, apps like Sidus Link have made a huge difference. When there isn’t room in the budget for additional crew, being able to adjust my lights remotely from behind the camera saves time and effort. With Sidus Link Pro, Aputure now offers even more advanced control options tailored for larger, more complex lighting setups. Let’s take a closer look at what’s new.

Key updates in version 1.3

Undo/Redo functionality: Lighting on set can shift rapidly, and making precise adjustments without mistakes is a challenge. Sidus Link Pro’s new Undo/Redo tool allows users to step backward or forward through recent changes to any light or group of lights. This includes restoring settings after clearing a stage or adjusting parameters, making the feature particularly valuable when experimenting with different lighting scenarios.

On/Off switches: Sidus Link Pro now lets users toggle any fixture on or off with a simple switch. Previously, users would need to reduce a light’s intensity to zero to achieve the same effect. The new toggle saves time when a specific light needs to be cut quickly, improving response time on set.

Expanded CCT, RGB, and HSIC+ Control: The update enhances control over both color and white light, with more precise adjustments to CCT (Correlated Color Temperature), RGB, and HSIC+ (Hue, Saturation, Intensity, CCT). This allows for smoother color transitions and more accurate matching of light to ambient or scene-specific conditions. This feature is ideal for productions that require consistent color balance across multiple lights and camera setups.

Expanded DMX parameter support: The update introduces several new DMX channels, giving users greater flexibility and control over their lighting setups. These include the Variable Channel, which offers dynamic adjustment options for supported lights; the Fan Channel, allowing users to control fan speed on fixtures with active cooling; the Strobe Channel, which enables strobe functionality for creative lighting effects; and the DMX Control Channel, expanding management options for DMX protocols and configurations.

In addition to these new channels, Sidus Link Pro now supports up to four universes through sACN or Art-Net multicast. This expanded support enhances compatibility with both Aputure’s fixtures and third-party DMX-controlled lights, providing robust control for large-scale setups.

Aputure Sidus Link Pro Beta v1.3 – other features

Sidus Link Pro also introduces several additional tools to optimize on-set workflows:

Instant DMX Cue-Based Control: The cue stack interface enables users to trigger multiple lighting cues in real-time, independently or simultaneously. This feature is especially useful for productions with tightly choreographed lighting sequences.

Improved User Interface: Sidus Link Pro’s graphical interface is designed for quick, easy access to key controls. Auto Set Up and Fixture Control features allow users to quickly add lights and adjust channel values without navigating through deep menus. The app emphasizes minimal screen taps, making it easier to stay focused on the shoot.

Growing DMX Profile Library: Users can select profiles from a growing database of DMX-compatible fixtures, including both Aputure models and a variety of third-party lights. This reduces setup time by allowing for faster integration of different fixtures into a single lighting network.

Cloud Service for Data Management: Sidus Link Pro now offers a cloud service that allows users to save and share projects, scene presets, and fixture configurations. This data can be transferred to collaborators via AirDrop, iCloud, or QR code. This feature improves collaboration across multi-location shoots and helps ensure consistency in lighting setups.

Designed for professional use

Sidus Link Pro provides control over both Bluetooth and wireless DMX communication, allowing users to manage hundreds of fixtures across different manufacturers. This makes it well-suited for larger productions, studio environments, and even live event setups. Unlike traditional DMX interfaces that rely on clunky hardware and command-line inputs, Sidus Link Pro provides a modern, touch-based alternative that supports real-time control and rapid adjustments.

Learn more and download

For a complete list of updates, including enhancements and bug fixes, you can visit Aputure’s official release notes for Sidus Link Pro v1.3.

Aputure has created a detailed tutorial video that walks users through the new features and controls in Sidus Link Pro. The beta version 1.3 is available for download now on the App Store.

What are your thoughts on these new updates? Have you tried the beta yet? Share your experiences and feedback in the comments below!

It seems as if the competition in the field of lighting solutions for cinema and TV is getting tougher and as a result, acquisitions are a thing that we should expect to see more often. This time, it is Chauvet who has now announced a “strategic acquisition” of LiteGear. According to the company, with this acquisition, Chauvet is forming its own Cinema Group (CCG), starting with the Kino Flo and LiteGear brands with plans for further expansion by including more brands.

The new division will focus on expanding into the cinematic lighting markets, and as our industry is facing a challenging time, it will be interesting to follow and see what role the new group plays.

If you are a LiteGear customer or placed an order before this announcement was made, you might be interested in taking a look at this Frequently Asked Questions page.

Nowadays, good affordable LED lights can be found everywhere so for us customers, service next to advanced technology might be the most essential thing to expect. But what do you think about this announcement? Do you take it as a sign of things to come as our industry is rapidly changing or is it just a natural development? Please share your thoughts with us in the comment section below.

NANLITE and their sister company, NANLUX, provide a variety of lighting solutions, including their popular Forza line of COB lights. They recently introduced the Rapid 90 and Rapid 120 Parabolic Softbox.

NANLITE FC-120C – features

NANLITE’s FC-120C is a compact and portable 120W LED color spotlight. And given its size, it’s ideal for small to medium-sized crews and solo shooters. The light is versatile and can be used in various scenarios, including interviews, creative lighting setups for film and video, or photo shoots.

The LED spotlight features a wide range of color temperatures (2700K to 7500K), plus the white light can be further enhanced with ±150 Green / Magenta adjustments.

Additionally, the FC-120C has a maximum output of 12,850 lux @1m (5600K with reflector). Adding an FM mount projection attachment with a 19° lens takes the output to 46,370 lux @1m (5600K) and 19,740 lux @1m (green). The attachment and lens are sold separately.

There are four lighting modes: CCT, HSI, RGBW, and effects. These modes can be controlled with the interface found on the lamp head (1.9” display, two knobs, and two buttons) or the NANLITE App. The FC-120C also has a built-in 2.4G module for wireless control, and the light can be connected to a DMX console.

There are three power options for the FC-120C, including an adapter, V-Mount battery (14.4-14.8V), or PD adapter. It can also be used with a V-mount battery grip, which is sold separately, or the 5/8” mount on the bracket when attached to a light stand (cable-free) or used handheld. 

The NANLITE FC-120C LED color spotlight’s list of features includes:

• 120W LED light.
• Maximum output of 12,850 lux @1m (5600K with reflector).
• Wide CCT range of 2700K to 7500K and includes ±150 Green / Magenta adjustments.
• Four lighting modes: CCT, HSI, RGBW, and effect.
• Color rendition with CRI / TLCI average 95/94, TM-30 Rf/Rg average 92/100.
• 15 effects with customizable parameters in each effect.
• Control options include onboard, NANLITE App, remote controller, and DMX / RDM.
• Power options with an adapter, V-Mount or PD adapter.
• Compatible with FM Mount and Bowens mount accessories.
• Four fan modes with silent operation: Smart, Full Speed (max output of 100%), Low Speed (50%), and Fan Off (12%).
• Weighs 2.49 lb (1.13 kg).
• Firmware updates via the USB port on the lamp head.

Price and availability 

The NANLITE FC-120C is now available to order and is priced at $295.50 / €353.74. Check out NANLITE’s site for more details.

What do you think of the new NANLITE FC-120C compact LED spotlight? Are you using other NANLITE products on your shoots? Please let us know in the comments below.

The Chinese lighting manufacturer NANLITE (and its sibling company NANLUX) offer a wide range of lighting solutions including COB lights, light panels, modifiers, etc. An example could be the popular Forza series of COB lights. Now, the company announced a new modifier, the Rapid Parabolic Softbox. Let’s take a look at the details.

NANLITE Rapid 90 and Rapid 120 Softbox

Firstly, as the naming implies, the Rapid softbox from NANLITE comes in two different sizes:

• NANLITE Rapid 90 softbox (SB-RP90) features a 90cm diameter
• NANLITE Rapid 120 softbox (SB-RP120) features a 120cm diameter

The softbox features the Bowens mount standard, so it will be compatible with many COB lamps on the market. When it comes to the NANLITE lineup, the Rapid softbox is compatible with Forza, FC, and FS series fixtures.

For me, the most interesting thing about these softboxes is the flat-folding mechanism that makes them very compact when folded for transport. The quick setup and collapse with the rapid-latch speed ring is also a welcomed feature. NANLITE claims the softbox can be opened within 5 seconds and collapsed in only 1 second.

NANLITE Rapid softbox features 16 carbon/steel ribs to provide structural rigidity and stability. Each softbox comes with a standard diffuser as well as a lite diffuser cloth for more flexibility. The diffusers are made of high-density fabric (durable nylon), providing an even diffusing effect. The softbox has a 90° beam with the standard diffuser and a 60° beam with the lite diffuser.

The interior of each Rapid 90 or Rapid 120 softbox features reflective fabric that intensifies the light and reduces light loss. Furthermore, each Rapid softbox comes with a carrying bag and a grid for reduced light spill.

Price and availability

Rapid 90 softbox costs $179 and Rapid 120 softbox costs $199. Both models are available now.

For more information, please visit the NANLITE website.

What do you think about the new NANLITE Rapid softbox? Do you use Bowens mount lights? Would you like to see more softbox models come with a similar flat-folding mechanism? Let us know in the comments section underneath the article.

Founded in 1993, Godox has been a provider of quality lighting and audio equipment. The company is very well-known in the industry. They continue to innovate and, in 2024, announced several lighting and microphone systems.

Godox KNOWLED MS60R/Bi-Color LED Lights – features

The Godox KNOWLED MS60R/Bi-Color LED Lights have several features that will appeal to filmmakers and creatives. An output of 11,000 Lux at 3.3ft/1m with lens (R) and 17,000 Lux also at 4.3ft/1.3m (Bi), multiple lighting effects for creative options, 1800K to 10,000K CCT (R), and 2800K to 6500K CCT (Bi), full RGB Color Control, CRMX integration and more. Both LED lights are small, lightweight, highly portable, and are based on the AD100 design. They aren’t much bigger than a soda can but pack quite the lighting punch.

These two new 60W LED lights are very similar, but there are some differences, as detailed below.

The full feature list of the Godox KNOWLED MS60R 60W Color LED light:

• 11,000 Lux at 3.3ft/1m with lens output.
• 1800K to 10,000K CCT, brightness from 0-100%.
• Linear, S-curve, exponential, and logarithmic dimming curve
• Full RGB Color Control.
• HSI, X-Y, and FX.
• CRI 95 | TLCI 95.
• Onboard CRMX, DMX/RDM, and App control.
• 14 creative lighting effects.
• Optional magnetic modifiers compatibility.
• Fan cooled.
• USB-C power supply and NFC connection.
• Compact at 3.03×3.03×3.58in (7.69×7.69x9cm) and weighing only 311g (11 oz), without lens reflector and battery.
• Comes with lens reflector, stand bracket, battery, USB-C cord, and bag.
• Multiple kit options available and accepts many accessories.

And the MS60Bi 60W Color LED light:

• 17,400 Lux at 3.3ft/1m with lens output.
• 2800K to 6500K CCT, brightness from 0-100%.
• Linear, S-curve, exponential, and logarithmic dimming curve
• Full RGB Color Control.
• HSI, X-Y, and FX.
• CRI 97 | TLCI 98.
• Onboard CRMX, DMX/RDM, and App control.
• 11 creative lighting effects.
• Optional magnetic modifiers compatibility.
• Fan cooled.
• USB-C power supply and NFC connection.
• Compact at 3.03×3.03×3.58in (7.69×7.69x9cm) and weighing only 303g (under 11 oz), without lens reflector and battery.
• Comes with a lens reflector, stand bracket, battery, USB-C cord, and bag.
• Multiple kit options are available and accept many accessories.

Which one to consider purchasing depends on your budget and whether you can use fewer features with the MS60Bi compared to the MS60R. The latter has more features, but both are well-rounded compact LED lights.

Price and availability 

The Godox KNOWLED MS60R/Bi-Color LED Lights are available for pre-order now. They come in different options, including single, two-light, and four-light kits, with each kit offering the choice of either MS60R or MS60Bi. One noticeable benefit when considering purchasing such lights is the vast amount of accessories Godox is offering for those fixtures.

Pricing for a single MS60R is $429 while the MS60Bi retails for $329. The two- and four-light kits have varying prices. Learn more here.

What are your thoughts on the new Godox KNOWLED MS60R/Bi-Color LED Lights? Do you use Godox lighting or audio products? Let us know in the comments below!