The CAME-TV WAERO Pro headsets aim to simplify on-set communication without requiring a central hub to connect the headsets and bring some significant upgrades compared to the existing WAERO system.

CAME-TV WAERO Pro System avoids congested 2.4GHz frequencies

This new system operates on the 1.9GHz DECT band, avoiding the congested 2.4GHz frequency range used by numerous wireless devices on set. This frequency selection provides a dedicated communication channel insulated from interference that often plagues production environments. What’s nice is that the WAERO Pro supports auto frequency hopping when encountering interference, in order to provide a more stable connection.

Maximum range, sets, and battery life

The system provides an operating range of up to 518 meters (over 1,700 feet) in open environments, decreasing in locations with significant physical obstacles. For productions requiring expanded coverage, the system supports connecting up to 9 headsets in a single network. There are various WAERO Pro systems available, but the classic one includes five pre-paired headsets, eliminating the frustrating setup process accompanying many comparable systems.

Battery performance delivers up to 15 hours of use on a single charge, which can get you through an entire shooting day. This operational time addresses a common pain point in production—the need for reliable headsets that sustain through long shooting days without requiring frequent battery swaps. The master headset will last for 5-10 hours, so you should carry a replacement battery for it. A battery will be fully charged in 2.5 hours and has a capacity of 1100mAh.

Noise cancellation and AEC are also implemented, which is essential in headsets to filter out disturbing background noise in calls. CAME-TV claims “zero latency” for real-time communication, another plus.

Grouping and all-call function for team leaders

The system supports establishing separate groups within a network, but it can be easily switched between the groups at any time.

The CAME-TV WAERO Pro comes with a so-called “all-call function” for team leaders using the master headset. That function allows them to communicate both with the A and B groups simultaneously by pressing the MF button on the master headset. This is, of course, super useful when everyone on set needs to be summoned for a meeting, lunch break, or whatever will affect the whole team, without having to repeat the same message in both groups.

Compatibility with other CAME-TV products

The system is also fully compatible with all other CAME-TV intercom systems, including Kuminik8, Came-Nano, and WAERO.

Editorial perspective

When I first heard about CAME-TV many, many years ago, I came to love their Boltzen Fresnel lights, and I use them as kicker lights for many interviews to this day. The company has since entered many other areas, including wireless intercom, and its further expansion into production communication technology represents a logical progression. The WAERO Pro addresses several pain points in production communication—weight, battery life, and frequency interference—that challenge filmmaking teams.

However, the audio quality and durability remain to be tested against industry-leading communication systems that have undergone years of field testing. The true test of any communication system comes from extended use in challenging production conditions.

As production crews seek streamlined equipment solutions that reduce setup time and increase reliability, the WAERO Pro appears to be a promising addition to the ecosystem of tools facilitating the increasingly complex communication needs of modern film production.

Market position, pricing, and availability

Priced at $555 for the 5-headset package, the WAERO Pro sits in the budget range of production communication tools, yet it’s very competitive for what it delivers – typically, full-duplex systems will cost considerably more. This pricing places it also below premium systems from established manufacturers like Clear-Com and others.

In general, pricing is quite simple: Essentially, every individual headset costs $111, and as you can pair up to nine of them, the largest set containing these 9 headsets costs $999.

If you’re looking to invest in such a model, then now might be a good time as CAME-TV is running a sale on their wireless intercom series, including the CAME-NANO and CAME-KUMINIK8.

The system is currently available through CAME-TV’s webshop and select professional video equipment retailers.

Throughout the years, we have been following the development of Filmstro, a British company established in Brighton, UK, which launched the first version of Filmstro in 2016. The app allows users to create their own tailored soundtracks for their videos, which is kind of opposite to the usual way we are used to.

Now, the company is taking another step forward by introducing some useful new tools. Let’s take a closer look.

Key features

Keyframes: To precisely control the music’s intensity by adjusting Filmstro’s sliders at key moments in the timeline.

Custom Lengths: For trimming and extending tracks to fit exact timing needs (without compromising audio quality).

Stem Control: To gain full control over individual instruments by identifying one or more sounds to exclude from the final export.

Improved Timeline Controls: A more intuitive and responsive editing experience with new ‘Rehearse, Record, Spot Edit, and Overwrite’ modes for greater creative flexibility.

Enhanced User Experience: A streamlined interface designed for better video controls and more space for video edit. 

The new update is available now to all Filmstro users. If you would like to explore more and see if Keyframes works for you, please visit app.filmstro.com.

You can try Filmstro’s scoring – just click ‘play’ below and move the sliders:

Price and availability

Filmstro is available as a subscription model, and the prices with different options are as follows:

• YOUTUBER. Perfect for personal projects and social media, for $8.25/month, billed annually ($99/year).
• PRO. For unlimited online client and commercial work at $20.75/month, billed annually ($249/year).
• PRO PLUS. For TV, radio, streaming and theatrical at $41.50/month, billed annually ($498/year).

CineD readers will get a 10% discount on their annual and monthly subscriptions when using the code CINEDV410.

Do you have some experience working with Filmstro? If so, please share your thoughts in the comment section below.

32-bit recording is now available to a wider crowd of users with the introduction of the XV1-R recorder from Xvive. Although nearly identical in shape and features to the previously released Zoom H1essential Portable Audio Recorder, the XV1-R is priced $10 lower, potentially making 32-bit float recording even more popular.

For those who are not familiar with the benefits of recording in 32-bit, here are the key advantages:

1. Virtually unlimited dynamic range and headroom: The 32-bit float format can represent an enormous range of values from extremely quiet to extremely loud without clipping or distortion. Even if you record too hot or too quiet, you can adjust post-production levels without losing quality.
2. No need to set gain staging perfectly while recording: Since there’s essentially no clipping point, you don’t need to carefully set input levels. This is especially valuable for field recording or live situations where you can’t predict peak levels.
3. Better noise floor characteristics: The floating-point nature means you maintain good resolution even with very quiet signals, unlike fixed-point formats where quiet sounds use fewer bits.

Features

Talking about recording in the 32-bit float format, this is the recorder’s key feature since it means you effectively never have to worry about setting proper input levels or audio clipping during recording.

A few other notable benefits:

• Compact size that fits in a pocket
• Simple one-button recording operation
• Can be used as a USB audio interface
• Accepts both line and mic level inputs

The XV1-R can record on a range of SD and MicroSD cards: MicroSD (up to 2 GB), SDHC (up to 32 GB), and SDXC (up to 128 GB). A 32GB card is included in the package. According to the company, the powering options include 2 AA batteries (12-hour runtime) or USB-C.

The XV1-R can be mounted on top of a DSLR/mirrorless camera and used as a stereo sound recording device for video. The recorder can generate slate tones, which can later be used to accurately sync the audio and video when editing if needed.

Like with the Zoom recorder, I like the idea of having a small on-board speaker when you don’t have headphones or earphones nearby or want to check or identify recordings.

Xvive XV1-R vs. Zoom H1essential

As noted earlier, it seems as if the Xvive XV1-R recorder is competing head to head with the Zoom H1essential 2-Track 32-Bit Float Portable Audio Recorder. Now, we haven’t tested any of those in-house, so we cannot comment on the differences in audio quality, but this aside, here is a quick overview of what to expect when it comes to differences or shared features:

Price:

• XV1-R: $89.99
• H1essential: $99.99

Key features (both):

• Built-in stereo mics
• 32-bit float recording up to 96 kHz
• USB audio interface functionality
• Pocket-sized design
• WAV recording
• 3.5 Line/Mic input

XV1-R advantages:

• Lower price ($10 less)
• Simple one-button operation
• Onboard X/Y Mics handle up to 130 dB SPL (vs 120 dB SPL for the Zoom recorder)

H1essential advantages:

• Clearer LCD display
• Accessibility features for the blind or visually impaired
• Some might argue that Zoom has a more established brand reputation

For more information about the Xvive XV1-R Portable Recorder, head to the company website here.

What do you think about the new portable recorder from Xvive? Do you have any experience working with their audio devices, and if so, are you happy with them? Please share your thoughts in the comment section below.

Audiio, a music licensing platform that offers a library of royalty-free music and sound effects is continuing to expand its services. During 2024, the company revealed two new services, LinkMatch AI, a new search tool that helps with faster music search, and, Hans AI, a service that allows users to type a brief description of a scene from a project and get a list of music that might fit. Now, Audiio is launching a mobile app for iOS and Android that allows users to access their smartphone music licensing platform.

The app includes the following features:

• Access to Audiio’s music catalog
• Downloading of tracks for offline use on your mobile phone
• Cross-platform playlist synchronization (Syncing playlists, favorites, and recent searches between your mobile device and desktop)
• AI Keyword search functionality

This development follows what seems to be a broader industry trend toward mobile-first content creation and editing tools, providing creators with more flexibility in their workflow options.

The Audiio mobile app is now available for download on the Apple App Store and Google Play Store.

For more information, please head to the company website here.

Do you find apps from music platforms to help your workflow? Please share your comments with us in the section below.

The Chinese company Hollyland known for wireless video and audio devices just announced an affordable 2.4GHz wireless microphone system, the LARK M2S. There is one particular feature of this new audio kit that I find quite interesting – the concealed design approach.

What’s that box with a huge logo on your shirt?

With a lot of online video content in recent years, affordable 2.4GHz wireless mics have become very popular. One problem with this is the common interference issue of the 2.4GHz frequency, which often needs to be fixed by using the transmitters’ internal recording.

The other intrusive aspect of using these mics is how present they are in the frame. Sure, most of them (but not all) have a 3.5mm connector for a lav mic, but let’s be honest, most of the creators do not use this option. Just slapping the mic transmitter on a shirt is easier and faster. The issue is, that most transmitter units are rather large and they often feature a huge logo of the manufacturer. Personally, I don’t like this and try to cover the logo somehow when using the transmitter alone, but I reckon most have gotten used to seeing this.

That is the reason I find the Hollyland LARK M2S wireless microphone system quite interesting as the design of its transmitters tries to make them as concealed as possible.

Hollyland LARK M2S wireless microphone system

The design of the transmitters features a titanium alloy clip. On the “visible side” of the clip there is only the built-in microphone capsule which measures 1.3cm x 0.63cm and does not include any visible logo. On the other “hidden side” of the clip, there is an enclosure that includes the rest of the electronics of the transmitter along with the built-in battery. The idea is to clip the mic on the shirt so that only the tiny microphone is visible in the frame. The whole TX unit weighs only 7 grams.

Hollyland claims that the LARK M2S has a maximum range of 300m (984 ft., unobstructed line of sight). As I mentioned above, the 2.4GHz frequency often gets too crowded and introduces interference. The manufacturer further says, they equipped the LARK M2S with a so-called RF interference-resistant circuit to minimize interference in the populated 2.4GHz bandwidth. I am curious if this gets confirmed in real-world reviews.

Unfortunately, the audio transmitters do not support internal recording, so I hope the anti-interference system works well.

When it comes to battery life, according to Hollyland, each transmitter can operate for up to 9 hours. With a fully charged charging case, the total maximum operation time is 30 hours.

The LARK M2S has a sampling rate of up to 24 bit/48 kHz, a 70dB signal-to-noise ratio (SNR), and a 116dB maximum sound pressure level (SPL). The system also supports an environmental noise cancellation (ENC) to minimize background noise. This can be activated by a button located on the transmitter or the receiver.

The new dial design of the camera receiver in the combo version gives easy access to power, pairing, mute, and volume controls, with options for high, medium, and low levels. The camera receiver unit supports dual output so you can record the audio simultaneously via the analog 3.5mm jack connector in the camera and the USB-C output on a second device if needed.

With the LarkSound App, you can take full control, checking audio settings, volume levels, noise reduction (there are two levels – strong and weak), and battery life.

Price and availability

The LARK M2S Microphone System is now available and comes in three pre-configured kits:

• LARK M2S Combo (with camera RX + USB-C RX + USB-C to Lightning cable) is priced at $149
• LARK M2S Mini Combo with camera RX + USB-C RX is priced at $139
• LARK M2S with USB-C is priced at $119

Do you use one of the 2.4GHz wireless audio systems for your work? Do you try to conceal your transmitters or leave them in the frame with the logo visible? What do you think about the new Hollyland LARK M2S? Let us know in the comments section underneath the article.

Shure has been providing a variety of audio solutions for content creators, musicians, and others, for nearly a century. Their products range from a variety of microphones to mixers, earphones, software, and other accessories. 

Shure MV7i Smart Microphone + Interface – features

When recording a two-person interview or podcast, the double mic setup requires an additional mixer before running it into a camera, mobile device, or computer. The Shure MV7i Smart Microphone + Interface eliminates the need for that separate mixer for two-channel recording. For musicians, an additional instrument can be connected. It also features 48V of phantom power.

The new Shure MV7i Smart Microphone + Interface has many of the same features found in the MV7 and MV7+ USB microphones and adds a built-in audio interface. It comes with an XLR-1/4-inch mic/instrument/line input with 48V phantom power and 60dB gain.

The full list of features includes:

• XLR-1/4” input for mic/line/instrument with 60dB gain and 48V phantom power.
• Records in 48 kHz / 24-bit high-quality audio.
• The ability to record two channels at once.
• Can handle SPLs up to 128dB with 50 Hz to 16 kHz frequency response.
• Unidirectional cardioid pattern to minimize room pickup.
• Onboard DSP (Digital Signal Processing).
• Color LED screen.
• Headphone jack.
• USB cable and integrated mount included.
• Works with Mac, Windows, iOS, and Android.
• Auto Level Mode with SmartGate Technology: This will calibrate gain automatically based on volume, proximity, and the dynamics of a room. When a subject is silent, it will also reduce the channel’s volume to eliminate any disruptions of the separate audio streams.
• Digital Popper Stopper: Ensures clear audio by eliminating plosive sounds without the need for a physical pop screen.
• Real-Time Denoiser: Reduces ambient noises.
• Adjustable Reverb: Three reverb types are available for different environments.

Additionally, the MV7i integrates with the MOTIV mobile app, which connects to a mobile device via USB and records two separate channels into the app of choice. 

There is also support with the MOTIV Mix desktop app, which allows for access to up to five multi-track recording and routing channels plus adjusting and fine-tuning gain, sound signature, etc. The LED panel is also customizable. It comes with three output configurations that can be selected upon launch:

• Mixdown Mode: Combined mic and mono input audio into a single mono audio output.
• Multi-Track Mode: Creates two separate mono audio tracks with the mic and XLR-1/4” input.
• Stereo Mode: Combines microphone and stereo input into one stereo audio track. 

Price and availability 

The Shure MV7i Smart Microphone + Interface is available now and retails for $349. Keep in mind that the MV7i eliminates the need for a separate audio interface, which is an additional cost. Learn more here. 

Are you using any of Shure’s microphones? What do you think of the MV7i Smart Microphone with its built-in audio interface? Let us know in the comments below!

There are a wide variety of products from Godox, including lighting, audio, monitor, accessories, and other solutions for cinematography, video, photo, audio, and broadcast. The company recently released the KNOWLED MS60R / Bi-Color LED Lights and the Godox Cube-S Wireless Microphone System.

Godox Cube-C Wireless Microphone System – features

The new Godox Cube-C records 48 kHz / 24-bit audio hi-res audio (>70dB SNR and maximum 115 SPL) with a dedicated Safety Track at -6dB. It also offers both stereo and mono recording options and ALC technology (Automatic Level Control) to prevent clipping by dynamically managing peak sounds vs. cutting.

Additionally, the transmission type is a 2.4GHz Frequency Hopping System, with up to 300m (984 ft) of stable transmission. This is due to the high gain antenna, which augments the RF resistance.

The Cube-C also features omni-device compatibility, so it can be used with a wide variety of cameras, smartphones, tablets, and desktop and laptop computers. It provides a wireless solution for interviews, general film or video production, podcasting, live-streaming, YouTube, and more.

According to the company, out of the box, the Transmitter (TX) and Receiver (RX) each feature 10 hours of battery life, but the 2300mAh charging case can extend it up to 40 hours for continuous recording. This is especially useful for on-location or field shoots where there isn’t a nearby power source to recharge. It takes 1.5 hours to recharge.

And like the Cube-S, it is compact and lightweight, making it easy to carry. The Transmitter measures 0.96″ x 0.98″ x 0.49″ and weighs 7g (0.25 oz) while the Receiver is 1.81″ x 1.14″ x 0.71″ and weighs only 5g (0.18 oz).

The Cube-C’s Transmitter can double as a remote controller, making it a handy feature. It has the ability to remotely control a smartphone camera’s shutter from up to 50m (164 ft) with the transmitter. Other features include 3-level volume adjustment, dual-mode noise reduction, and direct connectivity to a laptop or desktop computer.

However, a feature that is missing from the Godox Cube-C but found in the Cube-S is support for Apple’s Find My, which can help track the wireless mic system if it’s lost. Both Godox mics are very small and could be misplaced during load in and load out.

Pricing and availability 

The Godox Cube-C Wireless Microphone System is available for preorder and is priced at $99 with a black or white option. There are four different kits available which include additional Transmitters and Receivers, as well as other accessories. Pricing for the kit starts at $119.

Learn more about the Godox Cube-C Wireless Microphone System here.

What do you think of the Godox Cube-C Wireless Microphone System? Are you using any of their other products, including the Cube-S Wireless Microphone System? Let us know in the comments below!

Three years after introducing the Wireless GO II, Australian audio specialist RØDE is back with its successor: the Wireless GO (Gen 3). However, in the meantime, the company launched the Wireless Micro and Wireless PRO variations of their compact wireless microphone systems. As more and more manufacturers enter the wireless audio market, RØDE had to step up their game by including many features of the PRO version in this third generation, but will it be enough?

RØDE Wireless GO (Gen 3) – features

The Wireless GO (Gen 3) is a compact and lightweight dual-channel wireless microphone system that measures only 46.5 x 44 x 20mm/1.83 x 1.69 x 0.78in – the dimensions are identical for both transmitters and the receiver – and ticks the scale at 35g/1.23oz for the transmitters, and 36g/1.27oz for the receiver.

Similarly to its predecessor, this third generation consists of two transmitters and one receiver. You can choose to capture two separate audio channels with the receiver or combine both channels into one stereo option for seamless recording on downstream cameras or recorders.

For the first time, you can get the Wireless GO (Gen 3) in no less than 14 colors, including black, white, and gray, but also funky colors like pink, cobalt, orange, or purple.

RØDE Wireless Go (Gen 3) – what’s new?

From the outside, the RØDE Wireless GO (Gen 3) doesn’t look vastly different than its predecessor. However, you’ll probably notice that the microphone input on both transmitters has been upgraded to a 3.5mm TRS locking connector, which is handy and way more professional when plugging in a Lavalier microphone.

Also, the receiver’s 3.5mm audio output can now be used as headphone output, which allows you to monitor your sound if your camera doesn’t have a headphone output. Furthermore, the screen at the top of the receiver is, according to RØDE, brighter and easier to read.

Indeed, most of the changes and improvements are located inside the units. First of all, the transmitters’ omnidirectional built-in microphones have been upgraded with new capsules and preamps. These built-in microphones are the same as those in the Wireless PRO.

Next, while the Wireless GO (Gen 3) still uses the same 2.4GHz wireless transmission “Series IV” technology as the Wireless GO II, the transmission range has been increased from 200m/656ft to 260m/850ft. Also, it is compatible with all RØDE Series IV devices, including RØDECaster Pro II and RØDECaster Duo, RØDECaster Video, Wireless PRO, and Interview PRO.

The most considerable improvement is probably the addition of 32-bit float on-board recording directly within the transmitters, with a 40-hour capacity. Also, RØDE included the Intelligent GainAssist technology, which automatically adjusts the audio output gain so your camera’s audio doesn’t clip.

You can engage a safety channel at -12 dB for even more safety and peace of mind. This means that your left audio channel will be at your set audio level, while the right one will be 12dB lower, ensuring that your camera’s audio never clips.

You can connect the Wireless GO (Gen 3) to the RØDE Central app (mobile or desktop) for easy configuration and setup. Lastly, the transmitter and receivers all feature a USB Type-C port to charge them, offload on-board recordings, or use it as an audio interface, with a maximum battery life of 7 hours.

Pricing and availability

The RØDE Wireless GO (Gen 3) is available now for $299/€281.91, and it comes with a carrying pouch, a charging hub, furry windshields, and USB-C/Lightning/TRS cables. A separate Charge Case+ is available for $89/€89.61.

If we compare the Wireless GO (Gen 3) to the RØDE Wireless PRO, which retails for $362, I’m a bit confused with this new offering. The PRO model has the same features, though with the added benefit of Timecode capabilities, and it comes with a charging case and two Lavalier mics for less than the Wireless GO (Gen 3) with the Charge Case+.

For more information, please visit RØDE’s website here.

What do you think about this new wireless microphone system? Have you already used any of the RØDE Wireless systems? Don’t hesitate to let us know in the comments below!

Audiio has an extensive library of royalty-free music and sound effects from a network of independent artists and publishers. They’re available in over 180 countries, and content creators of all types can take advantage of Audiio’s wide range of professional offerings. This year, they introduced Audiio Elements, which lets you edit individual components of any song on their platform, and LinkMatch AI helps find music quickly, while Originals offers original music from some of their top artists.

How Hans AI works

Hans AI uses prompts from the creator to suggest a song that will fit a scene. Moreover, while Audiio can recommend music from their library based on a pasted link to a song, Hans AI does it based on a brief description of the scene or finding music similar to a score or popular song.

Searching for the right royalty-free music can take time – hunting around a website, sampling the music, and then adding it to your NLE timeline to see if it fits. Hans AI does it in seconds and can comprehensively list music that best fits your scene or project. Hans AI also showcases unique results that may elevate the scene further.

For example, you may have a scene involving the preparation and enjoyment of an intimate candlelit dinner or an action movie score. Simply type the description into the Hans AI search function, and a list of music options appears. From there, it’s easy to listen to the suggested song selections and give them a thumbs up or down. With an Audiio license, you can download the song and add it to your project.

You can also be more specific and ask Hans AI to find a song similar to a score from a movie or TV show or a song from an artist or band you admire.

Taking Hans AI for a test drive

We tested Hans AI to see how it performs; it is fast and intuitive. The results for “intimate candlelit dinner” were very good to excellent. I also asked for music similar to the main score in Jurassic Park, and the songs were in the spirit or very close. And not just the primary score from the Dino classic but other pieces of music from John Williams’ brilliant score.

Finally, I typed in different artists and songs, and it presented music in the vein of those bands and singers. For example, searching for music similar to Radiohead presented songs in the spirit of the band. Songs similar to those from Taylor Swift had even better results, both with and without vocals.

Audiio has a wide range of genres, from pop to country, rock, and more. The songs are very professional and quite good. They will fit into any type of project, including narrative, corporate video, a commercial, wedding, etc. Nothing sounded like standard stock music.

Price and availability

There are several licensing options to utilize Audiio, including:

• Creator: Perfect for those creating projects for social media channels. It includes music and SFX catalogs and the ability to monetize one channel. It costs $14.99 per month.
• Pro: Covers personal, clients, and small teams and includes everything in Creator, but adds unlimited monetization, local TV and OTT, LinkMatch AI, other AI features (Hans AI) and Stems. It is billed annually at $199. As of this writing, in early December 2024, they are offering it at 70% off for $59.
• Reach out to Audiio regarding their Enterprise option.

Visit Audiio’s Hans AI page to learn more and Audiio’s website for general information and pricing details.

What do you think of Hans AI? Will you use it to find the proper music for your next film or video project? Let us know in the comments below!

DJI is well known for their drones, but their product line extends far beyond. We’ve covered several of their offerings many times, most recently the versatile DJI Air 3S Allrounder Drone (with our video review), the Goggle N3 (an alternative to the Goggles 3), and the OSMO Action 5 Pro (with a video review too). Today, we’re focusing on the new DJI Mic Mini, a microphone that weighs just 10 grams, less than half of the DJI Mic 2. Because it’s so lightweight, it can be worn on a collar or a thin shirt without causing any pulling. It can be clipped, attached with magnets, or worn on a lanyard.

Mic Mini – features

• Battery life: An all-in-one charging case holds the receiver and transmitters, and when fully charged, the setup is good to go for 48 hours. A quick 5-minute charge will offer an extra hour when needed. The receiver and transmitter fully charge in approximately 100 and 90 minutes, respectively.
• Two-level noise canceling technology: Basic mode for quiet, indoor settings, and Strong mode that focuses on vocals by cutting ambient noise in louder environments.
• Windscreen: Reduces wind noise for cleaner audio capture outdoors.
• Automatic limiting: Lowers volume if audio input is too high, preventing clipping and distortion.
• Adjustable gain: Quickly adjust gain using the receiver’s dial – five level options provide precise control over sound input.
• Automatic power management: The transmitter enters sleep mode when no signal is detected. The Mimo App allows for setting an automatic power-off timer to conserve battery life.

Sound quality

• Omnidirectional audio recording: Captures sound from all directions.
• Dual transmitter pairing: The receiver can connect with two transmitters simultaneously, enabling recording from multiple sources.
• Dual channel recording: Supports Mono and Stereo modes for greater flexibility and control.
• Transmission Range: Transmits audio up to 400 meters under controlled conditions.
• Safety Track: The DJI Mimo App offers a backup track recorded at six dB lower than the main track to safeguard against audio issues like clipping.

Wireless recording with OsmoAudio

The DJI Mic Mini is very versatile and connects directly to DJI products like the Osmo Action 5 Pro, Osmo Action 4, or Osmo Pocket 3 without a receiver. It can also connect directly to smartphones via Bluetooth, also without a receiver, so you can use your phone to capture audio recordings with third-party filming apps, according to the company.

In addition, users can connect the DJI Fly app to the DJI Neo drone and the DJI Mic Mini using Bluetooth to record audio and overlay it with their aerial footage. Using the app, propeller noise is eliminated, audio tracks are merged with the footage, and sound should be good even shooting low-altitude vlogs.

Finally, when connected via the Camera Audio Cable (3.5mm TRS), it syncs power on/off with the camera. With a smartphone, it enables external playback without unplugging and can be charged from the phone. The receiver also supports simultaneous charging of both the smartphone and itself when connected to a power source via USB-C.

Price and availability

The Mic Mini is available to order now from the DJI store, as well as from authorized retail partners, and shipping starts today in the following configurations:

• The DJI Mic Mini (2 TX + 1 RX + Charging Case) retails for 145 GBP/169 EUR, and includes a Mic Mini Receiver, two Mic Mini Transmitters (Infinity Black), a DJI Mic Mini Charging Case, Mic Mini Camera Audio Cable (3.5mm TRS), a DJI Mic Mini Mobile Phone Adapter (Type-C), a Mic Mini USB-C Charging Cable, four Mic Mini Windscreens, two DJI Mic Mini Clip Magnets, and a Mic Mini Carrying Pouch.
• The DJI Mic Mini (1 TX + 1 RX) retails for 79 GBP/89 EUR, and includes a Mic Mini Receiver, a Mic Mini Transmitter (Infinity Black), a DJI Mic Mini Camera Audio Cable (3.5mm TRS), a Mic Mini Mobile Phone Adapter (Type-C), two Mic Mini Windscreens, a DJI Mic Mini Clip Magnet, a Mic Mini Compact Carrying Pouch, a Mic Mini Splitter Charging Cable, and a DJI Mic Mini Transmitter Charging Dock.

The Mic Mini Transmitter (Infinity Black) and Mic Mini Transmitter (Arctic White) can also be purchased separately at £49/€59 each. The Mic Mini Charging Case retails at £45/€49.

The DJI Mic Mini is a compact, versatile microphone that simplifies recording great sound for podcasts, live streams, or video projects. Compact and easy to use, this is a reliable option for creators who want professional sound without a complicated setup. For more information, please visit their website.

What do you think of this super lightweight microphone? Is it something you can use in your kit? Let us know in the comments!